This article is based on the idea of the artistic reality anthropomorphism. From this thesis it
follows that a fictional artistic space is not an empty capacity for different imaged objects. This is
a dimension of a fictional character intention and an axiological frame of a fictional reality which
is determined by an author. The article describes two basic spatial forms of an artistic image of
a human. They are Home and Wander. All aspects both of these spatial archetypes implicitly contain
different semantic and axiological possibilities that are realized in particular literary works.
Two invariants of poetic formations derive countless variations. The article touches on semantic
shifts of these spatial archetypes and their possible conflict in a scope of one literary work. The
author of the article considers having a clear idea about these basic spatial formats to be one
of the significant keys to a meaning of an artistic image of a human.